The Case for Content Strategy

About a year ago, I was on a team tasked with redesigning a website for a luxury fitness brand. Abandoning the typical sweaty images for a more spa-like experience, we reworked the content to include testimonials about reaching lifestyle goals, and to feature the gym’s breadth of yoga classes, rather than just their range of free weights. At first glance, the paid ad copy and keyword-rich meta content fit the common search terms: “gym,” “workouts,” and “private trainers.” However, our client didn’t want the typical “gym rat” audience. That’s where a partnership between content strategy and search engine marketing paid off. We revised the site content and search terms to fit the brand of a premium fitness experience. As a result, our client attracted more traffic from an audience eager for their style of gym. The leads were good, but the conversions were even better.

— Margot Bloomstein, The Case for Content Strategy—Motown Style in A List Apart.

Dreams of Flying

The Balloon Flyer A few months ago, I worked on a client report researching expectations for technology in the future. One of my favorite findings was that the childhood dream to fly still lives in so many adults. When respondents envisioned life in the future, amongst the more realistic hopes for future technology, were many wistful responses from people who wished they were able to soar through the air. I think a great depiction of this dormant desire is the series of photographs by the German artist Jan von Holleben entitled Dreams of Flying.

The Pirates

The Future of Reading

reading workshop A New York Times article explores a new approach to classroom literature and the Catch 22 that it creates. Inspire a love of reading by letting students choose their own books to read and assess? Or ensure a common body of literature and ease the weight of standardized testing by having all students read and analyze the classics together?

Most experts say that teachers do not have to choose between one approach or the other and that they can incorporate the best of both methods: reading some novels as a group while also giving students opportunities to select their own books. But literacy specialists also say that instilling a habit is as important as creating a shared canon.

Summer Reading

summer books At the beginning of summer, I wrote a post about the books I had read since the start of the year and thought I would mark the closing of summer with the same review. It was a full few months of reading, inspired by my trip to Powell's in June, where I gathered most of the above titles. I'm looking ahead to the fall, where I hope to read The Other Hand by Cleave Chris, The God of Small Things by Arundhati Roy, The Girl who Played with Fire by Stieg Larsson, and The Pleasures and Sorrows of Work by Alain de Botton. Any other suggestions?

Distinctly German

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At one time three-quarters of German television viewers tuned in. Now, when cable channels atomize viewers, more than seven million people still make a ritual of turning off their phones and getting together on Sundays at 8:15 p.m. for an hour and a half to catch the show at home or in bars, some of which, “Tatort” hangouts, receive advance DVDs so fans can pause the action before the killer is unveiled and collectively try to guess who did it.

New York Times article about the German crime series Tatort, started in 1970 and still widely popular. It's part of my Sunday evening routine and my favorite way to practice German. Es ist fantastisch.

Aspiring to Nothing

Like Okakura, I know that tea is no minor beverage. When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?

This line from The Elegance of the Hedgehog by Muriel Barbery keeps coming back to me even though I finished the book weeks ago...

To Take the Stage

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Personas, a Metropath(ologies) exhibit by the MIT Media Lab, creates a portrait of online identities according to algorithms that scour the web. A great concept, created by Aaron Zinman, and I was eager to see how it painted me. After entering my name, a quick check aggregated relevant online data and created a somewhat vague description of a person that is associated with books, news, online, and legal. Me, supposedly. Or, at least, the online version. The beautiful 'problem' is that my name brings up many references to 'Carly Simon' or 'Cameron Diaz', but the influence of mischaracterizations is part of the whole concept. Interestingly, this depends on the analysis, for every time I entered my name, I received a different assessment. A nice reflection of the liveness of the online world.

"It is meant for the viewer to reflect on our current and future world where digital histories are as important - if not more important - than oral histories, and computational methods of condensing our digital traces are opaque and socially ignorant - for now. Fortunes are sought through data-mining vast information repositories, and this kind of data is indispensable but far from infallible."

In Latin, the word persōna carries with it a connotation of the theatre, which is often carried over into the English use of the word. The persona is the mask or character that the actor assumes before taking the stage, or our public face. As individuals living out our lives (often simultaneously) in local and online spheres, this concept enters a new dimension where the multitude of scenes requires us to approach in full character at the blink of an eye. On LinkedIn, I am a professional. On my blog, I am a curious writer. On my bike, I am a local. At work, I am focused. At home, I am everything and nothing. This fascinating and sometimes exhausting fact of life isn't anything new. Anyone who has ever read a Jane Austen book sees the extent to which social expectations dictate the intricacies of our interactions. Propriety and sensibility become attuned to the expectations and norms of society and the responses they demand. We adorn ourselves in the proper persona in order to join the dance, to take the stage, which has been set before and the lines have been memorized. As T.S. Eliot said, 'Humankind cannot bear very much reality.' So, we assume our positions, even online.

Them and Everyone Else

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"Although Wikipedia has prevented anonymous users from creating new articles for several years now, the new flagging system crosses a psychological Rubicon. It will divide Wikipedia’s contributors into two classes — experienced, trusted editors, and everyone else — altering Wikipedia’s implicit notion that everyone has an equal right to edit entries."

New York Times article about the implementation of an editorial review requirement for changes made to the entries about living people.

Spa Zuiver

spa zuiver Last week, a team from work went over to the newly-opened Spa Zuiver in Amsterdamse Bos to check out the facilities and take in a bit of relaxation. Nicely designed interior, with sleek angles, vast pools, and toasty saunas.

Back to the Basics

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“To enter the designer apparel arena and build something, that’s significant. I think the way to think about The Row is that it offers the perfect blank — the perfect schoolboy blazer, the perfect leather leggings, the perfect peacoat. So many designers are intent on the next great trend that some of the basics are neglected.”

— Jim Gold, the chief executive of Bergdorf Goodman, discussing Mary-Kate and Ashley Olsens' label The Row.

The Longest Way to Heimat

[youtube=http://www.youtube.com/watch?v=5ky6vgQfU24&hl=en&fs=1&] As the opening frames reveal, Christoph Rehage planned to walk from Beijing to Germany (his homeland). This time lapse chronicles his journey from Beijing to Ürümqi, as part of his ongoing quest in the 'search for a place called home' that is now counting in at roughly 4 years, 7 months and 6 days. Not only is the time lapse beautiful, but the entire project is reminiscent of the (coincidentally) German concept of Heimat. The word 'Heimat' doesn't really have an English equivalent, but is usually translated as 'home' or 'homeland'. In media theory, it is often used as a reference point against the sense of absence induced by diaspora, urbanization, or personal isolation. Heimat is the ideal, the place that incurs nostalgia and is encapsulated in memories.

The Czech philosopher Vilém Flusser placed the emphasis more on the 'who' of the Heimat than the physical place itself. Although the sounds, smell, and sight of a homeland are of great importance, ultimately it is the people that make it so. I guess the beautiful thing about The Longest Way is the recognition that any search for home has to start with one's self. And maybe you will grow a grand beard and find Love (2:35) along the way.

An Offline Gathering

offline "We're fighting against this whole idea that everything people do has to be constantly chronicled. People think that every thought they have, every experience — if it is not captured, it is lost...When it's off the record, you actually listen to the conversation, not just wait for your turn to speak."

— Michael Maline in a New York Times article about the rise of offline parties, where guests are not allowed to blog, Tweet, or take pictures of the event. It seems that talking about it is even discouraged. Perhaps 'offline' really can exist.